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§ Private Profile · Los Angeles, CA, USA
Triller is a company.
Triller has raised $343.0M across 3 funding rounds.
Key people at Triller.
Triller has raised $343.0M in total across 3 funding rounds.
Triller operates an AI-powered video app and social platform, positioning itself as an entertainment brand with extensions across music, boxing, and pop culture. The core product provides a sophisticated, yet accessible, editor designed for users to create and share short-form videos, often featuring music. Its technical approach leverages artificial intelligence to streamline the video editing process, enabling creators to produce polished content efficiently.
The company was co-founded in 2015 by David Leiberman and Sammy Rubin. Their initial insight stemmed from identifying a need to simplify the mobile video creation process, particularly for musicians. They envisioned a platform that could empower artists and everyday users to easily produce high-quality video content directly from their smartphones.
Triller caters to a broad community of creators and consumers who engage with dynamic, short-form video content. The platform's mission is to empower creators by providing tools and a space where they can shape future trends in culture, content, and commerce. The company envisions an ecosystem where creative expression thrives and content creators can reach a global audience.
Triller has raised $343.0M in total across 3 funding rounds.
Triller's investors include GEM Global Yield, Bobby Sarnevesht, Mahi Silva, Carnegie Technologies, B Capital Group, Lowercarbon Capital, Social Starts, Sommet AB, Eric Ries, Esther Dyson.
Key people at Triller.
Triller has raised $343.0M across 3 funding rounds. Most recently, it raised $310.0M Other Equity in September 2022.
| Date | Round | Lead Investors | Other Investors | Status |
|---|---|---|---|---|
| Sep 29, 2022 | $310M Venture Round | GEM Global Yield | — | Announced |
| Oct 1, 2019 | $28M Series B | Bobby Sarnevesht | Mahi Silva | Announced |
| Feb 1, 2018 | $5M Series A | Carnegie Technologies | B Capital Group, Lowercarbon Capital, Social Starts, Sommet AB, Eric Ries, Esther Dyson | Announced |
Triller is a digital media and entertainment company built around a short-form video social networking platform that empowers creators to produce, distribute, and monetize music-centric content. At its core, Triller offers an AI-powered app that combines social media, music, live events, and influencer culture into a unified ecosystem, positioning itself as a creator-first alternative to platforms like TikTok, YouTube Shorts, and Instagram Reels. The company serves a global audience of content creators, artists, brands, and fans, providing tools for content creation, discovery, and direct monetization.
Triller has expanded beyond its core app into adjacent verticals including live combat sports (Triller Fight Club), music distribution, and premium event streaming (via TrillerTV powered by FITE). With a stated mission to become the most creator-focused social platform in the world, Triller emphasizes ownership, discovery, and fair monetization for creators. The company went public via a SPAC merger and now trades on Nasdaq as Triller Group Inc. (ticker: ILLR), signaling its ambition to scale as a next-generation entertainment platform rather than just a social app.
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Triller was founded in 2015 by David Leiberman and Sammy Rubin as a mobile-first video platform that used artificial intelligence to automatically edit music videos from user-generated clips. The idea emerged from a desire to simplify the creation of music videos, leveraging AI to match video clips with beats and transitions in real time—making high-quality, shareable content accessible to non-professionals. The app quickly gained traction among musicians and influencers who wanted an easy way to create polished, music-driven videos.
Early momentum came from partnerships with artists and labels, as well as organic adoption by creators drawn to its seamless integration of music and video editing. A major turning point came in 2020 when Triller pivoted into live event production, organizing the Mike Tyson vs. Roy Jones Jr. exhibition boxing match as a pay-per-view event. This marked the beginning of Triller’s expansion into combat sports and “four-quadrant” entertainment—blending music, sports, internet culture, and celebrity. That event, along with the acquisition and integration of VERZUZ (the popular music battle series created by Swizz Beatz and Timbaland), helped reposition Triller as a full-fledged entertainment company, not just a social app.
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AI-Powered Content Creation & Distribution- Proprietary AI automatically edits videos to music, lowering the barrier to entry for high-quality content.- AI also pushes and tracks content virally across affiliated and non-affiliated platforms, amplifying reach beyond the app itself.
Creator-First Monetization & Ownership- Focus on direct monetization tools, including tipping, subscriptions, and revenue-sharing models.- Strong emphasis on creator ownership of content and value capture, positioning Triller as a more equitable alternative to ad-reliant platforms.
Integrated Entertainment Ecosystem- Combines short-form video, music, live events (Triller Fight Club), and premium streaming (TrillerTV) into a single brand.- Owns and operates VERZUZ, giving it exclusive access to high-profile music events and a loyal fanbase.
Music-Centric DNA with Cross-Vertical Expansion- Deep integration with music culture, licensing, and artist services differentiates it from generalist short-form platforms.- Strategic expansion into combat sports and live PPV events creates new revenue streams and audience engagement opportunities.
Platform Flexibility & 360° Strategy- Designed as a “360-degree” platform that connects content, community, and commerce.- Targets both creators and brands with advanced analytics, marketing tools, and exclusive content opportunities.
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Triller is riding the convergence of several powerful trends: the creator economy, the rise of short-form video, the unbundling of traditional media, and the demand for decentralized, creator-owned platforms. As audiences increasingly consume content through mobile-first, algorithm-driven feeds, Triller’s AI-powered editing and distribution engine positions it at the intersection of social media and entertainment infrastructure.
The timing also favors platforms that can blend multiple forms of entertainment—music, sports, fashion, and internet culture—into cohesive experiences. Triller’s “four-quadrant” model mirrors broader shifts in media, where audiences expect hybrid events that mix sports, music, and celebrity. Its move into live combat sports and premium streaming reflects a broader industry trend of social platforms evolving into full-fledged media companies, similar to how Twitch expanded beyond gaming or how TikTok has moved into live commerce and long-form content.
By positioning itself as a decentralized, equitable ecosystem for creators, Triller is also responding to growing dissatisfaction with dominant platforms’ opaque algorithms and revenue models. If successful, it could influence how future social platforms structure creator incentives, ownership rights, and cross-platform distribution.
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Triller’s future hinges on its ability to execute a dual transformation: revitalizing the Triller app as a serious competitor in the short-form video space while scaling its live event and premium content businesses into sustainable, high-margin operations. The company’s recent leadership changes, product revamp, and investor roadmap suggest a renewed focus on becoming a true “next-generation entertainment platform,” not just a challenger app.
Key trends that will shape Triller’s journey include the continued growth of the creator economy, the monetization of live digital events, and the demand for platforms that give creators more control over their content and earnings. If Triller can deepen its AI capabilities, expand its global user base, and consistently deliver high-profile events (like VERZUZ and Triller Fight Club), it has a real shot at carving out a durable niche in the crowded social and entertainment landscape.
Ultimately, Triller’s ambition—to become the most creator-focused social platform in the world—remains its strongest hook. Whether it can deliver on that promise will determine whether it’s remembered as a TikTok alternative or as a foundational piece of the next era of creator-powered entertainment.
