High-Level Overview
The New Criterion is a New York-based monthly literary magazine and journal of artistic and cultural criticism, founded in 1982, that champions high cultural standards and critiques politicization in the arts.[2][5] Encounter Books, an affiliated non-profit publisher launched in 1998, specializes in conservative non-fiction on politics, history, religion, biography, education, public policy, and social sciences, operating under Encounter for Culture and Education to strengthen the marketplace of ideas.[1][3] Together, they form a cohesive intellectual enterprise led by Roger Kimball—editor/publisher of The New Criterion and president/publisher of Encounter Books—emphasizing Western cultural achievements, liberty, and resistance to ideological conformity.[1][3][5]
These entities do not function as a tech investment firm or startup; instead, they publish books and criticism to influence cultural and political discourse, serving readers, academics, and policymakers seeking conservative perspectives on intellectual life.[1][2][3]
Origin Story
The New Criterion was established in 1982 by Hilton Kramer, former *New York Times* art critic, and Samuel Lipman, a pianist and music critic, in response to what they saw as ideological corruption in mainstream cultural criticism.[2][5] Kramer left the *Times* citing "disgusting and deleterious doctrines" and a "cultural drift" undermining artistic seriousness, positioning the magazine as a bold defender of "the best that has been thought and said."[2][5]
Encounter Books originated in 1998 in San Francisco, founded by Peter Collier with support from the Lynde and Harry Bradley Foundation, named after the Cold War-era *Encounter* magazine by Irving Kristol and Stephen Spender (later revealed to have CIA backing).[1][3][4] Collier, a biographer and editor, ran it until 2005, when Roger Kimball—already co-editor of *The New Criterion*—took over and relocated it to New York City in 2006.[1][3][6] This integration humanized both as extensions of anti-totalitarian intellectual traditions, evolving from Cold War magazines to modern conservative publishing.[4]
Core Differentiators
- Conservative Intellectual Focus: Both prioritize "critical audacity," defending Western cultural inheritance against "mendacious, corrosive, and spurious" trends like politicization and nihilism, rare among arts publications.[2][5]
- Leadership Synergy: Roger Kimball's dual role ensures thematic alignment; his columns in *American Greatness* and *The Spectator* amplify reach.[3]
- Publishing Independence: Encounter Books boycotts *The New York Times* Book Review for perceived bias, favoring talk radio and blogs; it published controversial titles like *When Harry Became Sally*, banned by Amazon in 2021.[1]
- Non-Profit Structure: As activities of tax-exempt entities (Foundation for Cultural Review for *The New Criterion*, Encounter for Culture and Education for books), they emphasize idea-driven output over commercialism, with over 100 titles in Encounter's catalog.[3][8]
- Contributor Network: Draws conservative writers, poets, academics, and politicians for incisive criticism across poetry, theater, art, music, media, and books.[2]
Role in the Broader Tech Landscape
The New Criterion and Encounter Books operate outside the tech startup ecosystem, focusing on traditional publishing amid digital media shifts.[1][2] They counter "soft totalitarianism of intellectual conformity" in an era of Big Tech censorship—e.g., Amazon's 2021 ban of an Encounter title highlighted marketplace distortions.[1][3] This positions them as cultural bulwarks against tech-driven ideological echo chambers, influencing conservative discourse via print amid declining trust in Silicon Valley platforms. Their non-profit model sustains highbrow criticism, indirectly shaping policy debates on free speech and education that intersect with tech regulation.[3]
Quick Take & Future Outlook
Roger Kimball's leadership will likely expand digital presence—building on *The New Criterion*'s online dispatches and Encounter's catalog—while navigating platform deplatforming risks.[1][3][6] Rising cultural polarization and AI-driven content moderation trends could boost demand for their unapologetic conservatism, potentially growing through podcasts, events, or partnerships with aligned outlets. Their influence may evolve from niche criticism to broader defenses of Enlightenment values against tech-fueled collectivism, reinforcing the "marketplace of ideas" in a fragmented media age.[3] This ties back to their origins: reviving Cold War-era boldness for today's battles.