Loading organizations...
Loading organizations...
21st Century Pictures Group: Media company operating in the film and entertainment industry, focused on content creation and production.
Key people at 21st Century Pictures Group.
21st Century Pictures Group is an organization that appears to operate within the film, media, or entertainment industry, though its specific headquarters location remains undisclosed. The entity is associated with the domain 21stcentury.org, but detailed information regarding its core business model, active operations, and primary services is not currently available in public business databases. Consequently, specific operational metrics, including total funding raised, assets under management, current valuation, and total employee count, have not been publicly disclosed. Furthermore, the organization has not announced any formal partnerships, lead investors, portfolio companies, or notable enterprise customers at this time. The company maintains a strictly private operational profile, limiting visibility into its target sectors, market scale, and strategic initiatives within the broader media landscape. Details regarding the exact founding year and the identities of the original founders of 21st Century Pictures Group remain unknown.
Key people at 21st Century Pictures Group.
21st Century Pictures Group does not appear as a distinct, active entity in available records; the query likely refers to the 21st Century Film Corporation, a defunct U.S. film production and distribution company from the 1970s-1990s specializing in low-budget horror, kung fu, and action films.[1][6] It acquired catalogs like Dimension Pictures post-1981 bankruptcy, distributed via theatrical, home video (e.g., Planet Video, Continental Video), and released titles like *Death Wish V: The Face of Death* (1993).[1][6] The company served grindhouse theaters and urban markets with cheap genre films, solving demand for affordable B-movies amid 1980s video boom, but filed for bankruptcy in the late 1980s before limited revival under new ownership.[1][6]
No evidence positions it as an investment firm or modern tech startup; growth stalled post-1993, with its catalog now owned mostly by MGM (Orion copyrights) except outliers like *Night of the Living Dead* (Columbia/Sony).[1][6]
Formed around 1976 (some sources say 1971) by Tom Ward and Art Schweitzer as a production and theatrical distribution outfit targeting grindhouse-style content.[1][6] It specialized in imported kung fu flicks, cheap horror, and urban action, using painted posters and trailers narrated by Adolph Caesar.[6] Post-1981, it absorbed Dimension Pictures' catalog after that firm's bankruptcy.[1]
In the late 1980s amid bankruptcy, Giancarlo Parretti acquired it alongside The Cannon Group (rebranded Pathé Communications), then transferred it—plus Spider-Man and Captain America rights—to Menahem Golan (ex-Cannon CEO) as severance.[1][6] Golan aimed for quality films but managed only low-budget releases like *Eraserhead*, remakes of *The Phantom of the Opera* and *Night of the Living Dead*, *Bullseye!*, *Deadly Heroes*, and *Death Wish V* (Charles Bronson's last theatrical film).[1][6] Pivotal lawsuits over Spider-Man rights in 1993 marked its effective end.[6]
21st Century Film Corporation rode the 1970s-1980s grindhouse and home video waves, capitalizing on VHS democratization of B-movies when theaters favored blockbusters.[1][6] Timing aligned with video rental boom (post-1982), enabling non-theatrical revenue via labels like Planet Video.[1] Market forces like studio caution on low-budget fare favored independents distributing imports and horror, influencing urban cinema ecosystems and pre-streaming video culture.[6]
It minimally shaped tech landscapes—no direct ties to digital innovation—but its catalog endures in modern streaming (Paramount holds TV/streaming rights; Trifecta U.S. distribution), feeding nostalgia platforms amid IP revivals.[1] Disney's 2019 Fox acquisition echoes its opportunistic model, though it predates OTT trends.[3][5]
No active operations since 1993 bankruptcy; legacy persists via MGM-owned catalog in streaming/physical media.[1][6] Next: Pure archival value—revivals unlikely without rights disputes (e.g., Spider-Man lawsuits).[6] Trends like horror nostalgia (e.g., *Night of the Living Dead* remake) and grindhouse retrospectives could boost licensing, but no growth momentum.[1][6] Influence may evolve passively as content fodder for AI restoration or boutique labels, tying back to its scrappy origins in serving underserved genre fans.[6]
